The answers Okja reaches are simple and vital, and without really speaking them it helps you hear those answers for yourself because it has asked all the right questions, and it has asked them in a way that is intensely engaging. Okja is also not a film about veganism, but it is a film that asks how we can find integrity and, above all, how we can act humanely towards other creatures, humans included. They are imaginative works that craft momentum through part-counterpart alternations, and Okja is perhaps the finest example yet of the wild pendulum swing of a Bong film’s rhythmic tonality. They have multiple intentions, and they bring those intentions together to jam. They have attention to detail, but they are not delicate in their handling. But this is part and parcel with what makes Bong Joon-ho movies, well, Bong Joon-ho movies: They’re nuanced and complex, but they aren’t exactly subtle or restrained. What appears to be a sticking point for some critics and audiences, particularly Western ones, is the seemingly erratic tone, from sentiment to suspense to giddy action to whimsy to horror to whatever it is Jake Gyllenhaal is doing. Okja takes more creative risks in its first five minutes than most films take over their entire span, and it doesn’t let up from there. Stars: Tilda Swinton, Paul Dano, An Seo Hyun, Byun Heebong, Steven Yeun, Lily Collins, Yoon Je Moon, Shirley Henderson, Daniel Henshall, Devon Bostick, Woo Shik Choi, Giancarlo Esposito, Jake Gyllenhaal Once The Good Nurse establishes that something undeniably fishy is going on, it quickly cascades into a perfect amalgam of a tense detective thriller starring dubious officers Danny Baldwin (Nnamdi Asomugha) and Tim Braun (Noah Emmerich), a gut-wrenching psychological drama, and a staggering showcase for Chastain and Redmayne, who deliver two of the finest performances of the year. But just as things are looking up for Amy, patients who came into the hospital with relatively minor injuries start mysteriously dying. Enter Charles (Eddie Redmayne), a soft-spoken nurse who appears to have been sent straight from heaven to make sure Amy takes her meds and help her daughter rehearse for the school play. The film centers around Amy Loughren (Jessica Chastain), the titular Good Nurse: An overworked single mom who pulls all-nighters to care for sick patients in an effort to pay for her upcoming heart surgery. Directed by The Hunt and Another Round writer Tobias Lindholm, The Good Nurse tells the true story of Charles Cullen, a nurse and the most prolific serial killer in New Jersey history. If you’re anything like me, you’ll frequently find yourself considering hard-hitting questions about the matter, such as: Does Jeffrey Dahmer’s backstory actually deserve to be three hours longer than Sátántangó? And, perhaps more to the point: Is there a purpose to any of this output at all? But then, every so often, a movie like The Good Nurse comes out, and it feels like a breath of fresh air. In an era where true crime content is churned out a mile a minute, it can be hard to differentiate adaptations that exist because their stories are actually worth telling, and those that are just another desperate vie for a spot on Netflix’s venerated Top 10 list. Stars: Jessica Chastain, Eddie Redmayne, Nnamdi Asomugha, Noah Emmerich, Kim Dickens, Malik Yoba
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